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Reason 3.0 Propellerhead

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PRODUCT OVERVIEW:

Propellerhead Reason 3.0 gives you one-step loading of complex, customizable instruments and effect setups, a new instrument-packed soundbank, instant integration with MIDI keyboards and controllers, a new intuitive file browser, plus a suite of mastering tools. For a pleasurable, performance-friendly Reason experience.

It's not an effect unit. It's not a synth. It sure isn't a sampler. It's... all of it. And more. The all new Combinator is a sophisticated device that allows you to build elaborate chains of Reason units - instruments, effects, pattern sequencers, you name it - and save as Combi patches.







Want big, tight, loud sounding tracks? Need extra stereo width, increased clarity, punchier bass? Say hello to MClass, the new mastering suite in Propellerheads Reason 3. MClass brings you four separate pro level mastering units designed to add power, presence and an overall professional feel to your Reason mixes.

As a Reason user, you can forget about the downsides of music production. Forget malfunctioning modules and confusing connections. Reason's cables don't tangle. Forget about steep learning curves and menus within menus. Reason is so direct you'll learn it in minutes. And forget the tedious process of gathering all the different disks and soundbanks needed to load up a song.

And so is the sound. The audio quality is everything you would expect from the people behind ReCycle and ReBirth. But pristine sound quality is only half the story; the instruments and effects in Reason are loaded with character and attitude. Reason will not just impress, but inspire you.

FEATURES/SPECS:

    New in Reason 3.0

  • Propellerhead Reason The Combinator

    It's not an effect unit. It's not a synth. It sure isn't a sampler. It's... all of it. And more. The all new Combinator is a sophisticated device that allows you to build elaborate chains of Reason units - instruments, effects, pattern sequencers, you name it - and save as Combi patches.


  • Propellerhead Reason 3.0 MClass Mastering Suite

    Want big, tight, loud sounding tracks? Need extra stereo width, increased clarity, punchier bass? Say hello to MClass, the new mastering suite in Reason 3.0. MClass brings you four separate pro level mastering units designed to add power, presence and an overall professional feel to your Reason mixes.


  • Propellerhead Reason 3.0 Remote

    For those of you with a more hands-on approach to making music, the revolutionary Remote technology in Reason 3.0 will be a welcome new feature. Reason now easily controls motorized faders and control surface displays. And then some. This is true hardware integration! Remote gives Reason smooth, seamless, out-of-the-box communication with external MIDI controllers and hardware control surfaces, giving you plenty of scope for real-time tweaking of Reason's functions and features - on stage or in the studio. Because Reason 3.0 comes prepared for a majority of the controllers on the market, all you have to do is hook up your hardware and fire up Reason - no tedious configuration required. Reason 3.0 comes with complete Remote mappings for each of the supported controllers. The preset Remote mappings link your controller's knobs, buttons and faders to the parameters within Reason's devices, giving you instant, tactile control over any function in any Reason unit. Support for multiple control surfaces lets you dedicate one control surface and its faders to Reason's mixer, while using your master keyboard for playing and controlling other Reason devices.


  • Reason 3.0 Browser

    To allow you to access and organize the contents of your sound bank in the quickest, most natural way possible, Reason 3.0 features all new browser functions; you can now free-text search the entire library, preview-play sounds directly from the browser, and increase your efficiency in general. With the Reason 3.0 browser, the task of finding and loading sounds and patches becomes just as smooth and intuitive as the process of making good music in Reason.


  • Propellerhead Reason 3.0 Soundbank

    Reason's sound palette is getting bigger, better, wider and wilder. The new sound bank in Reason 3.0 adds huge quantities of instruments, sounds and patches to Reason's already massive library. Focusing on carefully sampled musical instruments and useful Combinator setups rather than loops and beats, the new soundbank takes a more playable, more performance- friendly direction. Load up any of the multisampled guitars, bass guitars, flutes, mellotrons, strings or melodicas and play away. Or try the mass of patches developed for Reason's new Combinator: load up complete instruments running through chains of effects in one single click, or get into some heavy-duty post-processing with the Combi FX patches. And then there's the pattern based patches, the weirded out Glitch category, the chromatic percussion section, a brass section... we could go on and on here.


  • Propellerhead Reason Line Mixer 6:2

    Line Mixer 6:2 is a simple but effective 6-channel stereo line mixer. Built primarily for use in the Combinator, the Line Mixer 6:2 handles basic mixing and panning of Combi devices, but can of course be inserted anywhere in Reason: use it for submixing large drum kits, or to add extra mixer channels when Reason's main mixer is starting to fill up. Each of the six channels feature level and pan controls, mute and solo buttons plus an AUX send level control. Need more sends? Extra channels? Just create another Line Mixer.


  • Propellerhead Reason 3.0 More Features

    Record automation on multiple tracks;

    Copy automation between lanes and tracks in the sequencer;

    New and improved Mute and Solo features in sequencer;

    Faster loading of samples. Sample playing devices now load five times faster;

    Improved sample playback timing and quality.


  • Close-up on Reason

  • Propellerhead Reason NN-XT

    When Reason 2.0 arrived, it had a new sampler screwed into the rack. We call it the NN-XT. This is a highly advanced sampler with an impressive list of features and functions squeezed into it. Where the NN-19 is a “fast-track” sampler, this machine is for more demanding sampling tasks. The NN-XT is bursting with detailed programming options, but comes with an intuitive user interface, making it the perfect tool for both sound design and life-like instrument emulation. Just load up one of the included orchestral library patches, and you'll know what we're talking about.


  • Propellerhead Reason Malstrom

    Malström, now an integrated part of Reason, creates its otherworldly sounds using Graintable technology. Never heard of it? Neither had we, we had to invent it. This technology is a cross between granular synthesis and good old wavetable synthesis. And the result? You’ll just have to hear it to believe it. The Malström Graintable synthesizer features all imaginable filtering and modulation options, and a couple of unimaginable ones too; Try some real-time waveform stretching, some spectral modulation, or some awesome wavetable sweeping.


  • Propellerhead Reason Subtractor

    Subtractor is an analog type polyphonic synthesizer based on subtractive synthesis, the method used in analog synthesizers. This close-up will show you the details of Reason and tell you about some of the goodies in it.


  • Propellerhead Reason Redrum

    Redrum is a drum machine with a built in pattern sequencer. It has ten channels that plays samples loaded by the user or sounds from a preset drum kit. In addition to the pattern sequencer, Redrum can also be played from Reason's main sequencer or via MIDI. By combining the pattern sequencer and the main sequencer you can easily create fills and variations to the patterns without having to create new patterns for every variation


  • Propellerhead Reason Dr. Rex

    The Dr-Rex Loop Player is a truly unique machine and will probably be one of the favorites in the Reason rack. It plays loops treated by Propellerhead Software's ReCycle and it's design enables some truly new and innovative ways to use ReCycled loops..


  • Propellerhead Reason NN-19

    Since the first digital samplers started to appear during the early 80’s, samplers have evolved from primarily being used to reproduce existing instruments to becoming instruments in their own rights. In fact, the sampler has been one of the main influences on modern music during the 90’s and producers have used them for such diverse tasks as spinning in vocals, create drum grooves, play music loops, emulate acoustic instruments, create unique sounds, remix and….. Well the list goes on and on.


  • Propellerheads Reason Matrix

    The Matrix is an analog style sequencer with a maximum of 32 steps per pattern and is really the part of Reason to use for ReBirth style sequences. Just like ReDrum, Matrix has 32 patterns and each can be freely sized regardless of what time signature has been chosen in the sequencer. So for instance a simple 5 step pattern played back as 16th notes in a 4/4 song would only repeat itself at the original starting position every 5th bar. (No, we didn't use a calculator to work this out, keep reading and the answer will come later).


  • Propellerhead Reason Spider Audio & Spider CV

    No knobs, no buttons and no display. Spider Audio may not be much to look at, but if you're a seasoned Reason producer, it might be just the thing you've been searching for. The Spider Audio utility has two purposes in life: to merge and to split audio. All this splitting and merging brings more of the hardware studio's patching capabilities into the software realm. Try merging multiple audio signals and process them with the same insert effect, as in sending three of Redrum's toms to the same compressor. Or try splitting an instrument's output into four, and send them to four different effect processors.


SYSTEM REQUIREMENTS:

  • Propellerhead Reason 3.0 System Requirements

    PC: Intel Pentium 2 or better, 233 MHz or faster, 64 Megabytes of RAM, CD-ROM drive, Windows 98, ME, 2000 or XP (or later,) 256 color monitor (or better), 800x600 or larger, A 16 bit Windows compatible audio card, preferably with an ASIO or DirectX driver, Microsoft DirectX (if supported by the card), A MIDI interface and a MIDI keyboard (or similar);

    Mac: For Mac OS X: Any computer that runs Mac OS X version 10.1 or later, For Mac OS 9: A Power Macintosh with 604, 604e, G3 or G4 processor or better, 166 MHz or faster, 128 Megabytes of RAM + Mac OS 9.0 or later, CD-ROM drive, 256 color monitor (or better), 800x600 or larger, A MIDI interface and a MIDI keyboard (or similar).



Available only through ModernBeats.com...

  • FREE Downloadable Soundsets: Vinyl Scratchez & Kosmic Klapz!
  • FREE Downloadable VST Plugins Pack only from ModernBeats!
  • FREE Downloadable Music Contracts for Urban Producers!
  • That's over $150 total in FREE Giveaways! Read more...

List $499
Our Price $399
SALE 20% OFF!!!

Note: No Foreign Shipping
Back to Music Software Hardware page


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