Reason Sounds

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• Introducing Propellerhead Reason 2.5
  Reason 2.5 brings you 4 brand new sound processing tools and 2 science projects.



• Reason RV7000 Advanced Reverb
  Do you crave sophistication in reverberation? Look no further than Reason's  RV7000, the most expensive sounding reverb unit ever to hit the software world.



• Reason  RV7000 is a stereo effect unit dedicated to high-quality reverberation.
  This device is set on embedding your sounds in the kind of rich, transparent sounding reverb that only the most sophisticated reverb machines are capable of. In short, it sounds amazing. And despite its pro studio sound and million-dollar features, this machine is very easy to use. Your basic reverb controls are located on the main panel - for instant access and control - and the rest, eight separate knobs for algorithms and their parameters, can be accessed from a fold-out remote at the touch of a button. Reason's RV7000 is advanced and flexible without ever getting too complicated, and lets you dial in your desired reverb sound in seconds, and saving it as your own preset. The future of reverberation, only for Reason users.




• Reason BV512 Digital Vocoder
  Roll out the virtual red carpet. The king of versatile vocoding is coming to Reason city. No studio setup is complete without a proper vocoder, so here it is: Reason's BV-512, superior sound quality, multi-talented and advanced - yet simple to use. Besides being a 4 to 512-band vocoder capable of modulating sound in both old-school analog style and digital FFT fashion, this unit also doubles as a fully automated equalizer with a twist. Reason's BV-512 can be used for everything from classic robot vocals to weird harmonic effects.




• Reason Automation
  Like all other Reason devices, Reason's BV-512 Vocoder can be fully automated, band level settings included. Record your front panel actions, or use the pen tool to draw in layers upon layers of wild frequency changes. The Shift knob is just one example of a control that's dying to be automated. One session with Reason's BV-512 and you're hooked for life.



• Reason Scream 4 Sound Destruction Unit
  Built for breakage and designed to destroy, Reason's Scream 4 turns distortion into an artform. Add a touch of speaker modeling and a rough sounding EQ section and you have Scream 4, the ultimate sound destruction unit. With a wide variety of built-in damage methods, Reason's Scream 4 is capable of mangling audio in more ways than one. Use it for digital bit crushing, or regular crushing, or just for adding analog warmth and body to your sounds.




• Reason UN-16 Unison
  An 80s button transformed into a handy rack device. This is UN-16 Unison, the fattifier.
  Reason's Unison is exactly what the name suggests; a software reincarnation of that mysterious "Unison" button on those early 80s synths. Transformed into a Reason rack unit. UN-16 Unison fattens up incoming sound by emulating the effect of 4, 8 or 16 detuned versions of the incoming sound playing the same note. In ultra-stereo. The result is rich and wide and slightly similar to a chorus effect, only much fancier. Having a Unison effect in your Reason rack gives you the option to apply its magic to more than just synthesizers: Feel free to widen your Reason REX loops, fatten your samples or beef up your snare drums.



• Reason Spider Audio & Spider CV
  If you ever feel the need to merge or split some Audio or CV signals, these two Reason utilities are perfect for the job.
  No knobs, no buttons and no display. Reason's Spider Audio may not be much to look at, but if you're a seasoned Reason producer, it might be just the thing you've been searching for. Reason's Spider Audio utility has 2 purposes in life: to merge and to split audio. All this splitting and merging brings more of the hardware studio's patching capabilities into the software realm. Try merging multiple audio signals and process them with the same insert effect, as in sending 3 of Redrum's toms to the same compressor. Or try splitting an instrument's output into four, and send them to four different effect processors. Like brother Audio, Reason's Spider CV lacks all the visual trademarks of an effect device, because just like Spider Audio, it isn't one. Reason's Spider CV is exactly the same kind of utility as Spider Audio, but here the splitting and merging is performed on CV and gate signals. Which lets you get very scientific about your music: split the CV signals from the Matrix Pattern Sequencer to trigger several synths with the same pattern. Or merge the outputs of several LFO's to create some very complex modulation patterns.




• Reason Mac OS X Support
  Reason 2.0 fully supports the Mac OS of the future.



• Reason Malström Graintable Synthesizer
  Reason's Malström, now an integrated part of Reason, creates its otherworldly sounds using Graintable technology. Never heard of it? Neither had we, we had to invent it. This technology is a cross between granular synthesis and good old wavetable synthesis. And the result? You'll just have to hear it to believe it. The Reason Malström Graintable synthesizer features all imaginable filtering and modulation options, and a couple of unimaginable ones too; Try some real-time waveform stretching, some spectral modulation, or some awesome wavetable sweeping. Reason's Malström comes with a wide range of meaty and exotic Graintables, letting you create anything from lush pads to scary squeals, from the pretty to the gritty. And that's just the sounds coming from Reason's Malström itself; try using this monster's audio inputs to filter other Reason devices, and let some of Reason's Malström's magic rub off on your drums or sampled vocals. With a device like this, no one can accuse your sound of being ordinary.




• Reason Detachable Sequencer
  Reason's main sequencer can now be pulled out of the rack and placed anywhere on the screen.
  Great things come to those who wait; In Reason, the main sequencer breaks free from the rack and starts a life of its own, in a separate, detachable sequencer window. All you need to do is pull it out of the rack and it will expand across your computer screen. Now you're free to move it around and customize it or resize it as you desire. If you're blessed with two monitors, just drag the sequencer to your extra monitor, and enjoy the benefits of having a virtual studio on one screen, and a lightning fast sequencer on the other. For your convenience, they have expanded the sequencer toolbar and added some new tools. This is to make your work with this already super-fast sequencer even faster: The Zoom tool takes care of your in and out zooming, the Line tool is for fast, accurate linear editing of automation and velocity, and the Eraser is for quick deletion of unwanted objects.



• Reason NN-XT Advanced Sampler
  Reason ships with a new sampler screwed into the rack. Propellarhead calls it the NN-XT. This is a highly advanced sampler with an impressive list of features and functions squeezed into it. Where Reason's NN-19 is a "fast-track" sampler, this machine is for more demanding sampling tasks. Reason's NN-XT is bursting with detailed programming options, but comes with an intuitive user interface, making it the perfect tool for both sound design and life-like instrument emulation. Just load up one of the included orchestral library patches, and you'll know what we're talking about.
  Reason's NN-XT is packed with useful features to help you build your own stunningly realistic instrument patches: alternate sample playback, auto-pitch detection, zones with individual parameters, and much more. But don't think for a minute that instrument emulation is all this thing is good for - the filters, the envelopes, and the tempo syncable LFOs let you perform some crazy tricks on whatever material you put in there.
  All in all, Reason's NN-XT is probably one of the most flexible samplers around, and when we say probably, we mean definitely. With the editor folded in, only the most useful parameters are visible, for instant tweaking and automation.




• Analog synth, sampler, drum machine, ReCycle!-based loop player, mixer, effects, pattern sequencer, and more. As many of each as your computer can handle. Reason is an infinitely expandable MIDI studio on a CD-ROM, complete with its own real-time sequencer.



• All the power of hardware, but without the hassle. Forget tripping on cables. Reason doesn't need dusting. Picking up where you left off is as simple as turning the power on. When you save your work, your whole studio setup is stored along with your music. You can even include actual samples, loops, and drum kits in the file, for easy web publishing or email distribution to other Reason users. For once, total recall is truly total.




• Reason is completely native. All sound is generated by your computer's CPU. No special hardware is needed, most reasonably current PC's or Mac's will do, provided they have sound circuits. ASIO, MME, DirectX, and SoundManager support means that Reason is compatible with just about every sound card on the planet.



• Reason performs. On a modest computer, the number of devices and effects you can use simultaneously will be limited, but Reason will still run happily on most contemporary setups. At the other end of the scale: a PIII PC or a G3 or G4 Mac and a high-quality soundcard with ASIO drivers will give you a monster rack, pro quality audio, and a latency equal to hardware.





• Reason Technical Description
  System Requirements
  
  Windows
  Intel Pentium 2 or better + 233 MHz or faster + 64 Megabytes of RAM + CD-ROM drive, Windows 98, ME, 2000 or XP (or later) + 256 color monitor (or better), 800x600 or larger + A 16 bit Windows compatible audio card, preferably with an ASIO or DirectX driver + Microsoft DirectX (if supported by the card) + A MIDI interface and a MIDI keyboard (or similar).
  
  Mac OS
  For Mac OS X: Any computer that runs Mac OS X version 10.1 or later. For Mac OS 9: A Power Macintosh with 604, 604e, G3 or G4 processor or better + 166 MHz or faster + 128 Megabytes of RAM + Mac OS 9.0 or later. CD-ROM drive + 256 color monitor (or better), 800x600 or larger + A MIDI interface and a MIDI keyboard (or similar). system requirements.
  
  For more information, visit their web site at www.propellerheads.se

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